Number of lessons 6 hours
Final concert with recording
Price: € 1200.-
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General Theme
Interpretative Practice of the Flute Repertoire (Baroque to the Boehm System)
DAY 1 – Foundations of Flute Technique
Topics:
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Breath management
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Sound projection and tonal control
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Attacks and articulation
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Velocity and virtuosity
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Technical foundations for expressive playing
Repertoire / Pedagogical Material:
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Marcel Moyse: Tone Development and Articulation Studies
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Andersen, Gariboldi: Etudes
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Paganini (arr.): Virtuosic studies for flexibility and agility
DAY 2 – The Baroque Period
Topics:
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Baroque notation and performance practice
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Ornamentation and improvisation
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Affections, rhetoric and stylistic characteristics
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Historical instruments vs. the modern flute
Repertoire:
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J. S. Bach: Sonatas and Partitas
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G. P. Telemann: Fantasias and Sonatas
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Additional Baroque repertoire suitable for modern flute
DAY 3 – The Classical Period: W. A. Mozart
Topics:
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Classical phrasing and structure
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Balance, clarity and articulation in the classical style
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Cadenzas and stylistic choices
Repertoire:
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W. A. Mozart: Flute Concertos and chamber music
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Classical-era chamber repertoire for flute
DAY 4 – The Romantic Period: The Rise of the Virtuoso Flute
Topics:
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Evolution of the flute in the 19th century
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The Boehm system and its expressive possibilities
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Romantic aesthetics and technical demands
Repertoire:
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Beethoven: Serenade Op. 41; Sonata (transcriptions)
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Schubert: Variations Op. 160; Arpeggione Sonata (transcriptions)
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Carl Reinecke: Sonata “Undine”, Concerto, Ballade
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Kuhlau: Sonatas and Fantasias
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Briccialdi: Fantasias and Concert Pieces
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Theobald Boehm: Selected works and studies
DAY 5 – The French Flute School & the 20th Century
Topics:
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The Paris Conservatory tradition
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Color, articulation and phrasing in the French school
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The transformation of flute repertoire in the 20th century
Repertoire:
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Fauré: Fantaisie Op. 79
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Dutilleux: Sonatine
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André Jolivet: Concerto, Incantations, Chant de Linos
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Additional French and modern repertoire
General Structure of the Masterclass
The masterclass will consist of two components:
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Thematic Lectures / Demonstrations
Each day begins with a structured presentation addressing technical, stylistic and historical aspects of the assigned repertoire. -
Student Performance Session
Students will perform works of their choice.
These performances will serve both as repertoire study and as practical illustration of the day’s topic.
